Franz West: Where Is My Eight

An installation by Franz West, titled “Kasseler Rippchen”, dated 1991 and 1996.

February 23–May 26, 2013

In 2013, the Museum moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna presented Franz West: Where Is My Eight? (Wo ist mein Achter?). This was the second major exhibition of the artist’s work at the museum in his native city of Vienna following Franz West: Proforma, a midcareer survey in 1996. Both exhibitions were curated by Eva Badura-Triska.

Where Is My Eight? included some 150 works based on a preliminary selection drawn up by the artist before his death in 2012. The show focused on the Kombi-Werke (Combi-Works), in which West would combine existing works to create new installations; also included were individual pieces drawn from throughout the artist’s career, for example his Passstücke (Adaptives), furniture, sculptures, videos, works on paper, and pieces created in cooperation with other artists. As Faye Hirsch wrote in an extended article for Art in America, "The playfulness and wit that characterized West’s art throughout his career were much in evidence. . . . Walking through the show, one is struck as much by the work’s connection to Brancusi and Giacometti as to the anti-art impulses of Duchamp and Fluxus." 
 
Versions of the exhibition were subsequently presented at the Museum für Moderne Kunst in Frankfurt (2013) and the Hepworth Wakefield in England (2014), where West’s work was placed in dialogue with sculptures by the late Barbara Hepworth. "Playfully nestled alongside the elegant, anthropomorphic curves of Barbara Hepworth’s plaster prototypes," Louisa Elderton wrote in a review for Flash Art, "West’s Das Geraune (Murmuring) (1988) was veritably buzzing with energized textural surfaces and peep holes for the viewer’s eyes only." 
 
The exhibition was accompanied by a publication with texts by Eva Badura-Triska, Klaus Goerner, Georg Grooelle, Peter Keicher, and Andreas Reiter-Raabe.